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Thriller
 
 
 
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Which of the following best describes your current relationship with the cinema?
Love/hate - I love the movies but hate cineplexes, overpriced lobby treats and seat-kicking mutants
[tally: 44%] 44%
Last film I saw in an actual theatre was Tootsie and I was so tramautized I haven\'t gone back since.
[tally: 14%] 14%
It\'s right up there with life\'s essentials: breathing, eating, sleeping, drinking and masturbation.
[tally: 16%] 16%
Cinema, schminema. My life revolves around reality tv. I\'m an intellectual.
[tally: 12%] 12%
If I can\'t watch it sprawled on my couch, surrounded by Cheetos bags and beer cans, fuggedaboudit.
[tally: 13%] 13%

votes: 1362
 
Movie Site : Movie Reviews : Thriller : Derailed Page 1 of 1
 
Title: Derailed
Rating:
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Genre: Thriller
Release Date: , 2005
MPAA Rating: R
Runtime: 107 minutes
Director: Mikael Håfström
Writer: Stuart Beattie
Distributor: The Weinstein Company (USA)
 
Other Information:
 
 
Rogue's Review:

Don't get on this train

I can understand why Anniston wanted to do this role, since she -=- SPOILER ALERT -=- gets to play majorly against type (as the supposedly 'nice' girl who's really - oh no! - part of the scam), SPOILER END -=- but I'm at a loss to figure out what Clive Owen is doing in this sub-par, unoriginal, ugly and overly violent excuse for a thriller.

It's obvious from the get-go (as so many other reviewers have stated) that Anniston's character is not a victim in the scenario - the second she shows up, we know this, if we've been paying attention to the countless 'femme fatale' movies that have been made prior to this one ~ she's the bait, and Owen's character is going to be sorry he met her, big-time. I can tolerate an obvious set up, if the story from then on is at least played out with some panache, but no such luck here; it's just one cringingly vile scene after the other, with the payoff -=- SPOILER ALERT -=- being that Owen gets to have his revenge against the bad guy TWICE. Whooptie Doo. -=- SPOILER END.

And plot holes? Fuggedaboudit. One after the other, blatantly stupid stuff, not even worth discussing here. The title works, though, as a commentary on the screenplay, which most definitely veers way off track.

 
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